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Showing posts with label review. Show all posts

The Best Man Holiday (2013)

The Best Man Holiday is a 2013 American Christmas comedy-drama film directed and written by Malcolm D. Lee, a sequel to the 1999 film, The Best Man.The film, released on November 15, 2013 by Universal Pictures, African-American stars Taye Diggs, Terrence Howard, Harold Perrineau, Morris Chestnut, Sanaa Lathan, Nia Long, and Regina Hall, reprising their roles from the 1999 film along with the supporting cast.
Director : Malcolm D. Lee

Producer : Malcolm D. Lee , Sean Daniel

Studio : Blackmaled Productions, Sean Daniel Company, 40 Acres and a Mule Filmworks, Relativity Media 


Writer :  Malcolm D. Lee

Stars : Taye Diggs, Sanaa Lathan, Nia long, Monica Calhoun, Morris Chestnut, Melissa De Sousa

Music : Stanley Clarke

Country : 
United States

Language : English

Release Date : 15 november 2013 (USA)

Running Time : 123 minutes 

Plot

When college friends reunite after 15 years over the Christmas holidays, they will discover just how easy it is for long-forgotten rivalries and romances to be ignited. 

Movie review

"The Best Man Holiday" is a reunion story, a reconciliation story, a get-down-on-your-knees-and-pray story, a circle-of-life story. But above all it is filmmaker Malcolm D. Lee's dissertation on the current state of the black experience as upscale, evolving, faith-based and agitated.

Lee's unruly follow-up to 1999's "The Best Man," his sprawling ensemble comedy about a tight circle of African American college friends and a falling-out during a wedding, picks up 15 years later after countless grown-up issues have had time to settle in.

Be ready to reach for a tissue, say "amen" and sigh more than a few times, for the film has all the chaos and clutter of a big holiday gathering.

The original's racy comedy, cast and caricatures return. But there are serious, sober issues propelling the stories. It takes a bit of doing, but here's how Lee sets the table: Lance (Morris Chestnut) and Mia (Monica Calhoun), the handsome football superstar and his saintly wife, whose premarital dalliance caused the original friction, are hosting the reunion. He's on the verge of a record-breaking run in the Christmas Day game — and a surprise retirement. She's determined to patch up the past in the face of pressing health concerns.

Harper (Taye Diggs) is a bestselling author, Lance's best man and Mia's dalliance. He and Robyn (Sanaa Lathan), his smart significant other, are finally expecting after years of costly and heartbreaking fertility treatments. Julian (Harold Perrineau) and Candace (Regina Hall), the social activist and the stripper, are now happily married with kids. But a YouTube video of "Candy's" earlier indiscretions has gone viral and funding for the school Julian runs has taken a hit.

Driven career girl Jordan (Nia Long) has gotten more successful and a little closer to a commitment with a new boyfriend named Brian (Eddie Cibrian), who is, gulp, white — prepare yourself for a lot of corny vanilla and latte jokes. The loose cannons of the group are looser and more lethal. Shelby (Melissa De Sousa) is a reality-TV superstar with an entitled ego to match, and the smoky, sultry Quentin (Terrence Howard) is still drifting and still making trouble. As he was in the first film, Quentin is responsible for fueling much of the conflict, and Howard is smooth as silk in navigating that minefield.

The strength in Lee's films is never in the bombast or its blaxploitation indulgences but in quiet conversations. When the hyper-sexualized showboating and the explosive temper tantrums fade back, reality in the form of real human relationships slip in. The writer-director creates complex interconnections among each of the friends, but the central one remains the Lance-Harper dynamic.

Beyond the specifics, which involve Harper's hope of resurrecting his struggling career with a biography on Lance, the core theme is how men show their vulnerability. When that raw need is exposed by any of the characters, the film is at its finest.

Running parallel are the women's issues. Lathan's long-suffering pregnant wife and Long's career sophisticate are particularly well-drawn female characters. It is refreshing to see women allowed to step beyond the stereotypes, with the actresses bringing an intelligent authenticity to the roles. Shelby, on the other hand, is all stereotype, all the time, with a capital "B."

Even with excesses, the performances are solid. If anything, the intervening years have given Lee a far more seasoned cast, and they do much to keep the film from completely unraveling, a constant threat.

Howard, meanwhile, is a menace to this society in all the right ways. The actor has built a thick portfolio of fine roles, including his 2006 Oscar nomination for the hip-hop bad boy in "Hustle & Flow." He is deliciously sleazy and keenly observant as Quentin. His eyes, heavy-lidded, and his smile, always ironic, never fail to improve the moment or explain what is really going on.

Director of photography Greg Gardiner, production designer Keith Brian Burns, costume designer Danielle Hollowell, with Stanley Clarke in charge of the music — always a major chord in Lee's movies — have helped polish the production to a high sheen.

"The Best Man Holiday" is Lee's most ambitious film. There is so much the writer-director wants to say about God, faith, fame, family and affluent African American life. The result is a joyous, raucous, righteous film but also a frustrating and disappointing one. Not quite the gift of the season some had hoped for.
source : loss angls times

The Best Man Holiday Official Trailer


Dhoom 3 (2013)

Dhoom 3 is an upcoming Bollywood action thriller film Directed by Vijay Krishna Acharya.it will be the  Third installment of popular Dhoom series.Abhishek Bachchan and Uday Chopra will reprise their role as Jay Dixit and Ali Akber while Aamir Khan and Katrina Kaif opponent couple.Dhoom 3 will be relaesed on 20 December 2013 in regular 2D and IMAX Format. This is the first bollywood movie to be released in the IMAX format.
Director : Vijay Krishna Acharya

Producer : Aditya Chopra

Writers : Aditya Chopra,Vijay Krishna Acharya

Stars : Aamir Khan , Katrina Kaif, Abhishek Bachchan , Uday Chopra

Music : Pritam Chakrabarty

country : India



Release Date : 20 December 2013

Running Time : 

Movie Review :

Not Yet

Watch Dhoom 3 trailer on Youtube

DHOOM 3 teaser Aamir Khan !! Katrina Kaif !! Abhishek Bachchan !! Uday Chopra



DHOOM 3 Theatrical trailer Aamir Khan !! Katrina Kaif !! Abhishek Bachchan !! Uday Chopra


Purno Doirgho Prem Kahini (2013)

Purno Doirgho Prem Kahini (2013)

Purno Doirgho Prem Kahini is an Dhallywood Romantic drama film directed by Shafi uddin.

Movie Details

Director : Shafi Uddin
Writer : Rumman Rashid Khan
Produced By : Friends movie International

Stars : Shakib Khan , Joya Ahsan , Arefin Shuvo
Initial Release : 16th October 2013
Running Time :  158 minutes
Country : Bangladesh 

 Plot Summary :
The film story is about Joy (shakib khan) who is engaged to his cousin Mithu (mimo). But he promises his grandfather that he will not tie the knot before he finds his missing uncle and aunt. In Search of missing relatives he goes to Malaysia ,where he meets a girl, Jara(joya ahsan) who is a UN employee. They become closer and joya helps Joy (shakib khan)  to find his aunt. Favorable of her companionship and help falls for joya. To avoid him, Jara get involved with another man Shakb(Arefin Shuvo). In This situation, the climax of the film comes down between responsibility towards family, relatives and love affairs.

Criticism

  • conventional custom
  • It should be soft dance
  • romantic songs should be played from the heart.

 Watch Purno Doirgho Prem Kahini (2013) trailer on Youtube





The Book Thief (2013)

The Book Thief (2013)


Movie Details

Title: The Book Thief
Running Time: 125 Minutes
Status: Released
Country: United States
Genre: Adaptation, Drama, Period
Directed by Brian Percival; written by Michael Petroni, based on the novel by Markus Zusak; director of photography, Florian Ballhaus; edited by John Wilson; music by John Williams; production design by Simon Elliott; costumes by Anna B. Sheppard; produced by Karen Rosenfelt and Ken Blancato; released by 20th Century Fox.
WITH: Geoffrey Rush (Hans Hubermann), Emily Watson (Rosa Hubermann), Sophie Nélisse (Liesel), Ben Schnetzer (Max), Roger Allam (Death), Barbara Auer (Ilsa Hermann) and Nico Liersch (Rudy).
Speaking in the honeyed, insinuating tone of the Wolf cajoling Little Red Riding Hood to do his bidding, the narrator of “The Book Thief” is none other than Death himself (Roger Allam), although he coyly refuses to disclose his identity. This irritating know-it-all regularly interrupts the story of Liesel (Sophie Nélisse), a bright-eyed girl living with foster parents in a fictional German town during World War II, to comment obliquely on human nature and mortality.
More About This Movie


Except for the Nazi flags hanging from every building, the town, under a glistening blanket of snow, could be the cozy setting for a holiday greeting card. The pieces of the story, which begins in 1938, are so neatly arranged that the movie has the narrative flow and comforting familiarity of a beloved fairy tale.
A contradiction between a veneer of innocence and the realities of Nazism and the Holocaust is a signature characteristic of “The Book Thief,” Markus Zusak’s immensely popular young-adult novel, from which the movie, directed by Brian Percival (“Downton Abbey”), was adapted, with a screenplay by Michael Petroni (“The Chronicles of Narnia: The Voyage of the Dawn Treader”).
The years-spanning film, which observes traumatic historical events through Liesel’s eyes, looks and tastes like a giant sugar cake whose saccharinity largely camouflages the horrors of the war. Like a caring dentist reassuring a frightened child, it purveys a message: “Don’t be afraid. I’ll try not hurt you, although you might feel a little pinch.”
There’s one scene of Jews wearing yellow stars and being herded grimly out of the town. There’s another of Nazi officers searching houses for Jews concealed in cellars. And late in the movie, the town is leveled by bombs. Although the damage is catastrophic, the bodies laid out on the street seem untouched, as if the victims were fast asleep and ready for instant transport to heaven.
Liesel’s foster father, Hans Hubermann (Geoffrey Rush), is an impoverished, kindhearted house painter and “good German,” suffering from deprivation because he never joined the Nazi Party. He plays the accordion, and even in the darkest moments, its lilt conveys a spirit of bonhomie. His wife, Rosa (Emily Watson), is a fearful scold when Liesel meets her for the first time. But a soft heart beats under the surface.
The actors play their characters like storybook figures imagined by a smart, curious child. From character to character, their accents vary from heavily Germanic to British; the language spoken is English seasoned with German exclamations.
Liesel is a little princess whose foster father teaches her to read after her schoolmates taunt her for illiteracy. After witnessing a book-burning rally, she borrows, then steals, volumes from the home of the local burgermeister, whose wife (Barbara Auer) lets her visit her late son’s personal library. Memorizing what she reads, she distracts fearful Germans huddled in a bomb shelter with her recitations.
Liesel’s best friend and next-door neighbor, Rudy (Nico Liersch), is a towheaded angel who idolizes Jesse Owens, the track star of the 1936 Berlin Olympics, and is taunted for painting his face black in imitation. When he is selected by the Nazis for elite military training, he rebels and runs off with Liesel to a secluded location, where they both shout, “I hate Hitler!”

The Hubermanns risk their lives when they shelter Max (Ben Schnetzer), the impossibly noble son of a Jewish army buddy who saved Hans’s life during World War I. There are hints of a possible romantic competition between Rudy and the older Max for Liesel, whose portrayal by Ms. Nélisse is appealing but bland.
I can’t imagine that the creators of “The Book Thief” were aware of their movie’s underlying message that it really wasn’t that bad. John Williams’s score — a quieter, more somber echo of his music for “Schindler’s List” — lends the film an unearned patina of solemnity, for “The Book Thief” is a shameless piece of Oscar-seeking Holocaust kitsch.
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Jackass Presents: Bad Grandpa (2013)

Jackass Presents: Bad Grandpa (2013)

Director : Jeff Tremaine
Writers : Fax Bahr (story) , Spike Jonze (story),
 johnny knoxville(story,screenplay), Adam small 

Stars : johnny knoxville , jackson nicoll, Zia Harris
Genre: comedy
Status : (released)
Released date : 25 october 2013
Running Time : 91  minutus

Review

Attending “Jackass Presents: Bad Grandpa,” Johnny Knoxville’s new prankfest, could be life-changing. It may cause you never to use another vending machine, never to enter another bingo parlor, never to put your child on one of those coin-operated rides, never to eat in another diner.
Those things figure prominently in some of the movie’s more spectacular gags, which often means “spectacularly raunchy.” The film sends Mr. Knoxville’s character, the 86-year-old Irving Zisman, familiar from the “Jackass” television show and earlier movies, on a cross-country trip with an 8-year-old grandson named Billy (Jackson Nicoll). Along the way, they stage “Jackass”-style pranks and stunts, capturing the reactions of unsuspecting civilians as earlier installments in the endless franchise did.
The weird-sounding mix of scripted narrative and found footage works better than it seems it might. The bits feature fewer life-threatening stunts than when this franchise and Mr. Knoxville were young, and more sight gags, many with a high gross-out factor.                     It’s hard to score big laughs with hidden-camera material these days because there has been so much of it since the “Jackass” TV show, but Mr. Knoxville and his young sidekick still land a few jaw-droppers. Certainly the contestants at a kiddie beauty pageant they visit near the film’s end will need therapy for years.
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Some Funny Shot


 Watch Jackass Presents: Bad Grandpa Youtube Trailor


ENDER'S GAME (2013)


Pirates of the Caribbean 4 on Stranger Tides (2011)

Pirates of the Caribbean 4 on Stranger Tides (2011)


mystery

Directed by Rob Marshall; written by Ted Elliott and Terry Rossio, based on characters created by Mr. Elliott, Mr. Rossio, Stuart Beattie and Jay Wolpert, suggested by the novel by Tim Powers; director of photography, Dariusz Wolski; edited by David Brenner and Wyatt Smith; music by Hans Zimmer; production design by John Myhre; costumes by Penny Rose; produced by Jerry Bruckheimer; released by Walt Disney Pictures. Running time: 2 hours 7 minutes.
WITH: Johnny Depp (Jack Sparrow), Penélope Cruz (Angelica), Geoffrey Rush (Barbossa), Ian McShane (Blackbeard), Kevin R. McNally (Joshamee Gibbs), Astrid Bergès-Frisbey (Syrena), Sam Claflin (Philip Swift), Richard Griffiths (King George), Judi Dench (Society Lady), Keith Richards (Captain Teague) and Stephen Graham (Scrum).

ON STRANGER TIDES is one of the best PIRATES OF THE CARIBBEAN movies to date. There were some doubts going into this as two key characters from the original trilogy are missing, Will and Elizabeth Turner. While Will and Elizabeth added a lot to the first three films their absence in the fourth is hardly worth mentioning. A new cast mixed with many old favorites makes for a great story.

Full Movie Reviews:

It is fitting that what passes for a plot in “Pirates of the Caribbean: On Stranger Tides” involves a search for the fountain of youth. This film, the fourth in a series that made its improbable and profitable leap from the theme park to the multiplex eight summers ago, represents an attempt to rejuvenate a flagging franchise.
Whether the effort was absolutely necessary is both an obvious and a naïve question. Why would the Walt Disney Company, which distributes these movies, and Jerry Bruckheimer, who produces them, ever want to leave well enough alone? In Hollywood, gratuitous excess — not necessity — is the mother of invention.
Not that “On Stranger Tides” is especially inventive. Gore Verbinski, who directed the first three installments with wanton energy, rococo visual flair and a flagrant disregard for narrative coherence, has been replaced by Rob Marshall, who specializes in turning well-loved pieces of popular art (“Chicago,” “Memoirs of a Geisha,” “Nine“) into tedious, literal-minded prestige movies. So while this picture is called “On Stranger Tides,” it is by far the least strange of all the “Pirates” episodes so far, with none of the cartoonish exuberance or creepy-crawly effects that made its predecessors intermittently delightful.
Mr. Verbinski, whose sensibility owes more to the naughty, anarchic Warner Brothers and MGM cartoons of the 1940s and ’50s than to the Disney tradition, made a successful transition to full-blown animation with “Rango,” which featured Johnny Depp as a lizard out of water. Mr. Depp, returning as Jack Sparrow in “Tides,” is very much in his aqueous, mischievous element, and he shows admirable professionalism in a project that often seems more like a rock-band reunion tour than a blockbuster movie sequel.
A lot of the original cast members and special guest stars have fallen away — Keith Richards shows up for a minute or two, less thrillingly than the last time — but the guys up front are still in good shape, and a few more old-timers have been recruited from elsewhere to add their seasoned chops.
Richard Griffiths has a fleshy, wiggy cameo as King George, and Judi Dench appears briefly as a lady in a carriage, but the movie belongs to the power trio of Mr. Depp, Geoffrey Rush (as his sometime nemesis Barbossa) and Ian McShane, who brings a floridly sinister death-metal-meets-“Deadwood” vibe to the role of Blackbeard.
Keira Knightley and Orlando Bloom are hardly missed, as the filmmakers — Ted Elliott and Terry Rossio are the credited screenwriters — wisely turn the movie over to the gamy supporting players. There are a pair of young people in love, one of them a missionary (Sam Claflin), the other a mermaid (Astrid Bergès-Frisbey), but their wooing is incidental to the mugging and bellowing and occasional swordplay among Sparrow, Blackbeard and Barbossa. It’s almost as if a “Harry Potter” movie had dispensed with Harry, Ron and Hermione and devoted itself to documenting a meeting of the Hogwarts faculty.
But the name Jerry Bruckheimer in the opening titles mean that things must explode — a huge tank of whale oil, most memorably — and that there must be chases, crashes and leaps through the air. With an early exception involving a cream puff and a chandelier, these action sequences are handled more as instances of duty than occasions for play.
And I almost forgot to mention the 3-D, for good and bad reasons. The good one is that the format is mostly unobtrusive: you barely notice it unless a sword is sticking out of the screen or Penélope Cruz is moving toward the camera. Ms. Cruz, who starred with Mr. Depp in “Blow“ about 10 years ago, plays a former and possibly future flame of Jack Sparrow’s named Angelica, who may or may not be Blackbeard’s long-lost daughter.
“On Stranger Tides” never lives up to — or, for that matter, does anything to deserve — the recent parody tribute offered by Michael Bolton in a “Saturday Night Live” digital short, which emphasizes exactly the insouciant pop spirit that has slowly drained out of the “Pirates” juggernaut from one film to the next. It lives on in a few bon mots, and in a spooky, sexy sequence involving mermaids, whose pert, smooth tails are the only memorable piscine digital innovations on display here.
But like “Thor“ — which is, all in all, not quite as boring — “On Stranger Tides” is protected from the consequences of its own mediocrity by the mere fact that it is opening in thousands of theaters on Friday. People will go, and more energy will be expended parsing the box-office returns than discussing the merits of the film, which is likely to be judged entertaining enough and therefore, in the end, not much fun at all.
“Pirates of the Caribbean: On Stranger Tides” is rated PG-13 (Parents strongly cautioned). Some fantasy-horror violence.

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Thor: The Dark World (2013)



  • Thor: The Dark World is a 2013 American superhero film featuring the Marvel Comics character. Thor, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures.
  • Director : Alan Taylor

    Producer : Kevin Feige

    Studio: Marvel Studio

    Writers :  Christopher Yost (screenplay), Christopher Markus (screenplay)

    Stars : Chris Hemsworth, Natalie Portman, Tom Hiddleston 

    Sequel : The Hobbit: There and Back Again

    Prequel : The Hobbit: An Unexpected Journey

    Music : 
    Brian Tyler

    Country : 
    United States

    Language : English

    Release Date : 8 november 2013 (USA)
    Running Time : 112 minutes 

  • Plot

  • Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. But warriors from Asgard stop them but their leader Malekith escapes to wait for another opportunity. The warriors find the Aether and since it can't be destroyed, they try to hide it. In the present day, Jane Foster awaits the return of Thor but it's been two years. He's trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate and finds a wormhole and is sucked into it. Thor wishes to return to Earth but his father, Odin refuses to let him. Thor learns from Heimdall, the one who can see into all of the realms that Jane disappeared. Thor then returns to Earth just as Jane returns. But when some policemen try to arrest her, some kind of energy repulses them. Thor then brings her to Asgard to find out what happened to her. When it happens again, they discovered that while Jane disappeared, she crossed paths with the Aether and it entered her. Malekith upon sensing that the time to strike is now seeks out the Aether. So he attacks Asgard and Thor's mother is killed protecting Jane. Odin wants to keep Jane on Asgard so Malekith will come. But Thor disagrees with his plan so with his cohorts, he decides to take Jane away. And he enlists the aid of his brother, Loki. Problem is can Thor trust Loki.            
  • thor : the dark worldMovie Review

  • Is it a Quantum Field Generator or a a Soul Forge? It’s both, and that’s why ‘Thor: The Dark World,’ like ‘Thor’ before it, is one of the best films that blends sci-fi and fantasy. Add the humor, star charisma and nods to the wider Marvel Movie Universe and you’ve got 120 minutes of straight-up nerdy glee. If dorky blood flows through your veins, you will love this movie.

    Something called the Aether is flowing within Dr. Jane Foster (Natalie Portman), the left-behind gal pal of the chiseled, blonde Norse legend/space creature Thor (Chris Hemsworth) – he who swings a mighty hammer and melts hearts with a smile. The Aether is a gooey plasma of evil, or something, which is hidden “between the realms,” but winds up getting absorbed by our curiosity-prone scientist. If nefarious Malekith and his Dark Elves get ahold of Jane and the Aether at the right time (now, wouldn’t you know) and the right place (Earth, naturally) it will mean doom for everyone.

    Thus Thor must take Jane to Asgard. While getting checked out by an other-worldly physician (played by Alice Krige, the Borg Queen, my fellow nerdlingers!) a crazy 3D projection of sparkly cells hovers above Jane’s body. The Earther and Alien share a little banter over what to call it (even when facing a grave medical threat, Portman’s Foster sticks to her guns and says it is a Quantum Field Generator) but no matter what you call it, it’s a great deal of fun.

    The special effect – to linger on this one perfect moment from the film a bit longer – resembles the silvery projections that were all over Krypton in this summer’s ‘Man of Steel.’ It’s hard not to compare the two films, as they are so similar and yet so different. The DC movies are big and brooding. ‘Thor: The Dark World,’ despite equally high stakes (and even the sacrifice of a supporting character) manages to stay light. The conclusion of ‘Man of Steel’ rained death from above. The conclusion of ‘Thor: The Dark World’ features funny, anarchic zips between parallel universes and near-madcap one-liners. Both styles have their merit.

    The Hemsworth-Portman scenes work best. As in the first film these lovers from two worlds are blazing with an unquantifiable X-factor. There is no finer love story, which usually feels shoehorned, in any recent superhero movie. Kat Dennings as Dr. Foster’s assistant (and Jonathan Howard as the assistant’s assistant) are terrific as comic relief, though the big spectacle of this all is already pretty goofy. The Dark Elves’ siege of Asgard is a well-executed display of crazy-looking ships, warriors in helmets, lasers blasting out of staffs and hand grenades that suck its victims into miniature black holes. It is top-shelf lunacy. The action kinda resembles ‘The Phantom Menace’ a little bit, but I mean that completely in a good way.

    Not everything is perfect. Malekith is a bit flat as a villain, but I think this is in service of keeping Loki front and center. The two brothers work side-by-side (part of an elaborate escape, which is edited together like a caper film) and Tom Hiddleston once again sinks his teeth into the role. Also, Sif and the Warriors Three really take a back seat this time. As anecdotal evidence I took a guest to ‘Thor: The Dark World’ who had not seen the first one, and she did not pick up that Volstagg was all that important to the Thor mythos.

    The trade-off, however, is a film packed with other cool stuff. There are rock creatures and quick trips to lands like Vanaheim and Svartalfheim and Natalie Portman wearing a cloak. Plus the Aether and Nine Realms Convergence, which I’ll need a moment with the Marvel Wiki to fully understand, looks pretty damn cool.

    For every lovably turgid, portentous moment that Anthony Hopkins’ Odin babbles about destiny, trickster Loki presents a secret passageway with a “ta-da!” ‘Thor: The Dark World’ is everything I want out of a movie starring a handsome God in a red cape.
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