Satya 2 is a 2013 Native indian multilingual criminal activity movie, at the same time taken in Hindi and Telugu. The movie was instructed by Ram Gopal Varma with manufacturing style by Saini S. Johray.
Movie Details
Director : Ram Gopal Varma
Writers : Radhika Anand
Music : Amar Mohile, Kary Arora
Stars : Puneet Singh Ratn, Sharvanand, Anaika Soti
Country : India
Language : Hindi , Telugu
Release Date : 8 November 2013 (India)
Status : Released
PLOT
Satya is narrated by a voice (Makrand Deshpande) about the underworld that has been slowed down from the last decade in Mumbai. It narrates all about the discrimination in the society,in the system and all above.The narrator says that “Underworld anywhere in the cannot be totally finished till then when there would be no discrimination between the rich and poor. Story revolves back to 2013 when the train stops and a young man Satya (Puneet Singh Ratn) arrives on platform. He slowly begins to study the condition of the City.Soon he got the job in a construction company. One day his boss asks him to meet a old gangster RK to resolve a small dispute between him and his rival construction company.Soon this meeting takes a new turn in his life and he becomes a new gangster in the City.his new tagline is “The real power lies in hiding it.”
Movie Review
The movie begins with the narration of what the underworld is and how its experience has modified over the decades. Getting you down Mumbai’s unclean, potholed streets, the cause stars have tried their best to look the aspect, but didn't work. Satya (Puneet Singh Ratn) comes to Mumbai and satisfies his buddy Nara (Mahendra Thakur) and they begin referring to his lengthy lasting partner Chitra (Anaika Soti). Satya says that she is doing excellent but she does not know that he is in Mumbai. In a absolutely unique act he informs Nara, that Chitra has began composing kavita (for a second we believed he was referring to a kid who had just found a invisible talent!).
Cut to a town in Chhattisgarh, where an innocent-looking gaaon ki chori is attracting Satya by dance to her poetry in a low-necked shirt and super low-waist 50 percent saree. And understanding RGV’s penchant, we all know where the camera’s concentrate is. In the center of the very unrelated music, a strange car prevents right at the front side of Satya and someone within says something to him. Next taken, Satya is in Mumbai! And he has come to the town with the only objective of becoming the Master of Mumbai – unique, we informed you!
Oh yes, here is another unique reality about the movie. Nara presents Satya to his sweetheart, Unique (Aradhna Gupta) – yes, that is her name and there happens to be tale behind it that she does not expose, fortunately. Unique wants to become a movie celebrity and is not shy of dance and roaming around in a tiny top and hot trousers at the front side of a finish unfamiliar individual (Satya). And Unique discovers Satya a dubious personality from the begin, because he will not disclose his previous or his last name when she requests about it. Why be so dubious, we wonder? Satya is just a discreet individual who believes lawful activity is lawful and every lawful has a purpose – or a previous – that creates him do what he is doing.
In Mumbai, Satya needs to create connections and generate income. After all, he needs to begin ‘Company’! (We will come returning to this later). In a very impractical and again-random scenario, he satisfies designer don Pawan Lahoti (Mahesh Thakur) and begins dealing with him – yes, it’s that simple. He hatches effective plots to destroy some of the most significant individuals in the nation, on the purchases of Lahoti and his buddies. Some of these killings are not only horrible, but impractical. Once relationship is gained by loss of life, Satya demands cash and the believe in of the same individuals, to type his underworld organization known as – delay for it – Company! Company is not a small company team, but ‘Company ek soch hai’; the item of Company is Darr. What was RGV thinking? Or was he not thinking? In a sequence of activities as unique as the story itself, our idol drops his buddy and spouse because Unique chooses to chirp into the police’s hearing about Satya. Now the most frightening aspect of the movie arises – at the end, when Satya is in prison, the narration indicates that there will be another tale of what happens to him, how he bounces returning, blah, blah…!
The only inspiration to look at Satya 2 is its tale – which is exciting in areas. Character blueprints are significant and if the stars were better, the movie would be too. There is certain quality in the idea, but that is let down by RGV’s shooting methods – the same old ghisa-pita close-ups and excessive long-shots, favourable music in the center of nowhere and epidermis display where it’s not required. The movie also flows over with ear-shattering gaalis, gratuitous assault and cringe-inducing minutes. If only the movie director had trapped to the program without including the extras, Satya 2 could have been a phase in the future to the payoff of RGV.
